This study examines the intricate stylistic dimensions of Arundhati Roy's literary masterpiece, "The God of Small Things." Through a comprehensive stylistic analysis, the study explores Roy's narrative techniques, language choices, and structural elements. Unveiling the profound depth with which Roy conveys themes such as women's roles, neocolonialism, the 'laws' of love, innocence, and Communism, the research scrutinizes the mosaic-like structure, vivid imagery, metaphors, and symbolism employed by Roy. The findings uncover a rich and complex narrative style mirroring multifaceted themes, emphasizing the dual pattern of women's portrayal, the nuanced discourse of neocolonialism, and the liberating and restrictive nature of love's 'laws.' The discussion contextualizes these findings within broader literary and cultural frameworks, exploring the impact of Roy's stylistic choices on the novel's resonance and significance in post-colonial literature.