After the demise of Srimanta Sankardeva (also known as Mahapurush Sankardeva and Guru), his literary works, philosophical ideas, and intellectual discussions were predominantly confined to Satras, Namghar (prayer halls), and his followers for over four centuries. His endeavors, confined inside the realm of religion, commenced at the onset of the 20th century, and were intertwined with the principles of Bhakti and Sankardeva’s extensive literary contributions, cultural proficiency, and proposed strategies, which were made available for discussion. On the other hand, Rupkonwar Jyotiprasad Agarwala was one of the pioneers of modern Assamese literature. He was a poet, playwright, lyricist, drummer, dancer, and the first Assamese film director. His compositions were unique in the history of modern Assamese literature. His compositions have been widely discussed and decisive in scientific terms and subsequent literature. In this research paper attempt to highlight the Sankari ideal aspects of literary activities in Agarwala’s Compositions.