This study delves into Poile Sengupta's play Mangalam, a pivotal work that examines the intricacies of women's subjugation within the Indian societal framework, employing drama as a potent medium for discourse. Through a comprehensive analysis of the play, this paper highlights the recurrent themes of patriarchal dominance, sexual violence, and the marginalization of women across various strata of society. Sengupta's adept use of dramatic elements to portray the visceral realities of female exploitation and resistance offers a window into the lived experiences of women ensnared in the web of societal norms and male-dominated power structures. By situating the play within the broader context of Indian English drama and feminist literature, the study uncovers the nuanced ways in which Sengupta voices the silent struggles and the undying spirit of resistance among women. In doing so, it not only celebrates Sengupta's contribution to Indian theatre but also reaffirms the significance of drama as a vehicle for social critique and change. Through Mangalam, Sengupta extends an invitation to reconsider the narratives surrounding female agency, empowerment, and liberation, thereby contributing to the ongoing dialogue on gender equality and women's rights in contemporary society.